FLESHBRAIN
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¢              FLESHBRAIN

³Comments  From  the  studio  musician,
Andreas Stenhager:
¹
The  first thought that struck my mind
when  hearing this guys tunes was that
they   are   powerful  but  very  very
unfinished.

The  tunes  are all very long, I think
one  was  over  15  minutes.   I don't
think  that I(or anybody else) has the
power  to  listen  through  the  whole
tunes  if  we  don't  have to, because
they  have a bassline and drumsequence
that last right through the song(in 15
minutes!)    and   even   if   he   is
experienced and skilled playing around
with  the  leads  it easily gets quite
boring in the end.

Often  he  has a very good basic idea,
especially  in  the  tune  Soothsayer.
The   melody   starts  with  a  genius
sequence.   But then he extends it and
then  he  extends the extended melody.
It  does  not  work.  To his defence I
can  say  that  he  uses very powerful
samples  at good rates.  They fit with
each   other.   I  have  a  hard  time
figuring  out how he and Bjorn A Lynne
could  work  out together; they are as
different  as  two can be.  Maybe that
is the thing.




¶³Diesel's comment:
¹
I'd  a hard time figuring out the good
sides  of  Fleshbrain's  music  when I
read  Eurochart, but nowadays I listen
to  his  tunes  with  great  pleasure.
They  are  very  funny, because I know
that  he  said  'Ha!   I  wonder  what
they'll  say  if  I put this note here
and this snare here!' when he composed
the  song.  Many of his tunes are very
nice.    As   Andreas   states  above,
Fleshbrain  generally tends to release
his   tunes   without  finishing  them
before, though.  That is a pity, but I
don't care!